Phyllis Calvert

Phyllis Calvert

87 (passed away Oct. 8th, 2002)
Feb. 18th, 1915
Born in
London, England, UK
5' 5"

Phyllis Calvert's Main TV Roles

Show Character(s)
After Henry (UK) TV Show
After Henry (UK)
A Killing on the Exchange (UK) TV Show
A Killing on the Exchange (UK)
Kate (UK) TV Show
Kate (UK)

Main Movie Roles

Guest TV Roles

[none found]


Phyllis Hannah Bickle was born in Chelsea in 1915 and studied dancing at the Margaret Morris school of dance, until an injury forced her to give up dancing and turn instead to acting. Her 70 year film career began with a bit part in The Arcadians (1927) when she was just 12 years old. Along with over 40 movies, she had a successful stage career, spanning 1925 ('Crossings' with Ellen Terry) to 1994 ('Bed') - appearing in such works as 'Blithe Spirit', 'The Heiress' and 'Peter Pan', as the title role of the boy who never grew up.

Phyllis' film breakthrough came in 1941 in the adaptation of the HG Wells story, Kipps (1941) in which she was cast as the servant girl, a part which had originally been turned down by Margaret Lockwood. In her next film, she was starring opposite international star Robert Donat, a far cry from the music hall comedians (George Formby, Arthur Askey) she had been acting with only a few years earlier. The Man in Grey (1943) truly catapulted her to stardom and from then on there was no looking back. Phyllis Calvert became one of the names most associated with the Gainsborough costume melodramas of the 1940s, usually as the sweet heroine, or the steadfast non-nonsense leader.

After a small trip to Hollywood in the late 1940s, Phyllis returned to England and earned her one BAFTA nomination for the role of the mother of a deaf girl in Mandy (1952) but after that her film career slowed down, with family taking precedence. While shooting Indiscreet (1958), Phyllis was struck a cruel blow when her husband of 16 years, Peter Murray-Hill, passed away. Her stage career picked up markedly in the 1960s when she began taking more and more roles to better raise their two children solely. She gracefully slid into a niche of character roles, usually the kindly mother or aunt, and in 1970, had her own TV series, "Kate" (1970). In the 1980s she concentrated more on television, only appearing twice on stage. Her final play was in 1994, film in 1997, and TV appearance in 2000.

  • Worked in Hollywood for 7 years without success and returned to Britain.
  • Mostly known for her rather lightweight film roles in drawing-room comedies or costumed melodramas, she subsequently played weightier roles on the stage, such as Jean Anouilh's "The Rehearsal" in 1961 and Chekhov's "The Cherry Orchard" (1971).
  • Daughter Ann Auriol born 1943, son Piers born 1954.
  • Met husband actor Peter Murray-Hill during the run of a West End production of "Punch Without Judy" in 1939. He later became a well-respected antiquarian bookseller specialising in eighteenth-century books.
  • In the 1940s she was Britain's 2nd most popular actress, coming less than 900 votes behind winner Margaret Lockwood in one poll.
  • Often typecast as the virtuous victim, but proved to be more versatile than previously expected by the 1950s. Calvert's role in Mandy (1952) has often been regarded by critics and fans alike as a high point in her career in that the film allowed her the opportunity to demonstrate a range that all too often went untapped earlier in her film career.

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