96 (passed away Jun. 29th, 2003)
May. 12th, 1907
Hartford, Connecticut, USA
5' 7 1/2"
Katharine Hepburn's Main TV Roles[no roles found]
Main Movie Roles
Guest TV Roles[none found]
Born May 12, 1907 in Hartford, Connecticut, she was the daughter of a doctor and a suffragette, both of whom always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was also very close to her brother, Tom, and was devastated at age 14 to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years after this, Katharine used his birthdate, November 8, as her own. She then became very shy around girls her age, and was largely schooled at home. She did attend Bryn Mawr College, however, and it was here that she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention in these parts, especially for her role in "Art and Mrs. Bottle" (1931); then, she finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed, and after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore (I). The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933) she won her first Academy Award. Her fourth, Little Women (1933) was the most successful picture of its day.
But stories were beginning to leak out of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From the period 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937) and the now- classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison." She decided to go back to Broadway to star in "The Philadelphia Story" (1938), and was rewarded with a smash. She quickly bought the film rights, and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The film version of The Philadelphia Story (1940), was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 50s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956) and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 60s, as she devoted her time to her ailing partner Spencer Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 70s, she turned to making made-for-TV films, with The Glass Menagerie (1973) (TV), Love Among the Ruins (1975) (TV) and The Corn Is Green (1979) (TV). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975), with John Wayne (I), and On Golden Pond (1981), with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter currently still a record for an actress.
She made more TV-films in the 80s, and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994) (TV). With her health declining she retired from public life in the mid-nineties. She died at the age of 96 at her home in Old Saybrook, Connecticut.
- Her father's name was Thomas Hepburn and her mother's name was Katharine Houghton. Each of their six children were given Mrs. Hepburn's maiden name for their middle names.
- Had a relationship with 'Spencer Tracy' (qv) from 1943 until his death in 1967.
- Was with 'Spencer Tracy' (qv) the night he died. According to her, he had gotten up in the middle of the night to get a glass of milk. She followed the sickly Tracy to the kitchen but before she got there she heard a glass shatter and then a loud thud. She found Tracy dead on the floor; he had suffered a massive heart attack.
- Did not attend 'Spencer Tracy' (qv)'s funeral out of respect to his family.
- According to Kenneth Lloyd Billingsley's book "Hollywood Party: How Communism Seduced the American Film Industry in the 1930s and 1940s", Hepburn was a leftist in her politics in the 1940s. When the Conference of Studio Unions, headed by suspected Communist Party member Herb Sorrell, launched a strike in 1946-47 against the studios and fought other unions for control over Hollywood's collective bargaining, she expressed support for him. (Sorrell had been kidnapped, beaten, and left as dead during the strike, possibly by by the Mafia, which up until the early 1940s, had controlled the International Alliance of Theatrical Stage Employees, which was contesting the CSU for jurisdiction over Hollywood unions.) At a Screen Writers Guild meeting during the CSU strike, Hepburn made a speech which anti-communist, anti-CSU SAG activist Ronald Reagan recognized as being based word for word on a CSU strike bulletin. Hepburn's lover 'Spencer Tracy' (qv)'s admonition that actors should stay out of politics ("Remember who shot Lincoln") was ignored by Hepburn, whose mother had been sympathetic to Marxism and the Soviet Union, despite their family's wealth. On May 19, 1947, Hepburn addressed a Progressive Party rally at the Hollywood Legion Stadium with Progressive Party stalwart and later presidential candidate Henry Wallace, the former vice president of the U.S. who had been sacked from President 'Harry S. Truman' (qv)'s cabinet for being pro- Soviet. Wearing a red dress, Hepburn delivered a speech, written by Communist Party member and soon-to-be Hollywood Ten indictee Dalton Trumbo. When screenwriter 'Ring Lardner Jr.' (qv) (winner of an Oscar for writing her picture _Woman of the Year (1942)_ (qv) and one of the Hollywood Ten) was jailed, she wrote a letter of support for him. Years later, in 1964, when Lardner was trying to get Tracy to star in _The Cincinnati Kid (1965)_ (qv), he thanked Hepburn for her support. She told him she didn't remember writing the letter and refused to talk about it.
- (September 1999) Was named Best Classic Actress of the 20th Century in an Entertainment Weekly on-line poll, just barely (21.5% to 20.6%) beating out runner-up 'Audrey Hepburn' (qv).
- Her maternal grandfather; her father's brother, Charlie; and her older brother, Tom, all committed suicide. These tragedies were never talked about in her family. Ms. Hepburn said of her parents, "There was nothing to be done about these matters and [my parents] simply did not believe in moaning about anything."
- She is a descendant of "Eleanor of Aquitaine", whom she portrayed in _The Lion in Winter (1968)_ (qv).