Apr. 25th, 1940
New York City, New York, USA
Al Pacino's Main TV Roles
Main Movie Roles
Guest TV Roles[none found]
One of the greatest actors in all of film history, Al Pacino established himself during one of film's greatest decades, the 1970s, and has become an enduring and iconic figure in the world of American movies. Born on April 25, 1940, in the Bronx, New York, Pacino's parents (Salvatore and Rose) divorced when he was young. His mother moved them into his grandparents' house. Pacino found himself often repeating the plots and voices of characters he had seen in the movies, one of his favorite activities. Bored and unmotivated in school, the young Al Pacino found a haven in school plays, and his interest soon blossomed into a full-time career. Starting on the stage, he went through a lengthy period of depression and poverty, sometimes having to borrow bus fare to make it to auditions. He made it into the prestigious Actors Studio in 1966, studying under legendary acting coach Lee Strasberg, creator of the Method Approach that would become the trademark of many '70s-era actors. After appearing in a string of plays in supporting roles, he finally hit it big with "The Indian Wants the Bronx", winning an Obie award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?". His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a junkie in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). What came next would change his life forever. The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford (I), Warren Beatty, Jack Nicholson, 'Ryan O'Neal', Robert De Niro and a host of others either wanted it or were mentioned for it, but director Francis Ford Coppola had his heart set on the unknown Italian Pacino for the role, although pretty much everyone else--from the studio to the producers to some of te cast members--didn't want him. Though Coppola won out through slick persuasion, Pacino was in constant fear of being fired during the hellish shoot. Much to his (and Coppola's) relief, the film was a monster hit that did wonders for everyone's career, including Pacino's, and earned him his first Academy Award nomination for Best Supporting Actor. Instead of taking on easier projects for the big money he could now command, however, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He opened eyes around the film world for his brave choice of roles, and he was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with ...And Justice for All. (1979), for which he received another Academy Award nomination for Best Actor. This would, unfortunately, signal the beginning of a decline in his career, which produced such critical and commercial flops as Cruising (1980) and Author! Author! (1982). He took on another vicious gangster role and cemented his legendary status in the ultra-violent cult hit Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino became terribly ill with pneumonia. Constant changes in the script also further derailed a project that seemed doomed from the start anyway. The Revolutionary War film is considered one of the worst films ever, not to mention one of the worst of his career, resulted in his first truly awful reviews and kept him off the sceen for the next four years. Returning to the stage, Pacino has done much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking cop. It marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice. Returning to the Corleones, he made The Godfather: Part III (1990) and earned raves for his first comedic role in the colorful Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992 he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic. The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann (I) and co-starring Robert De Niro, although they only had a few scenes together. He returned to the director's chair for the highly acclaimed and quirky Shakespeare adaptation Looking for Richard (1996). City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out in this period. Reteaming with Mann and then Oliver Stone (I), he gave two commanding performances in The Insider (1999) and Any Given Sunday (1999). In his personal life, Pacino is one of Hollywood's most enduring and notorious bachelors, having never been married. He has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a new set of twins with longtime girlfriend 'Beverly DAngelo. His romantic history includes a long-time romance with "Godfather" co-star Diane Keaton. With his intense and gritty performances, Pacino was an original in the acting profession. His Method approach would become the process of many actors throughout time, and his unbeatable number of classic roles has already made him a legend among film buffs and all aspiring actors and directors. His commitment to acting as a profession and his constant screen dominance has established him as one of the movies' true legends.
- Son of 'Sal Pacino' (qv) (insurance agent) and Rose Pacino (she died when Al was 22).
- In a "Playboy" magazine interview, he claimed that he was fired from his job as a movie theater usher while walking down the staircase and admiring himself in the mirrored wall.
- Was voted the Number 1 greatest movie star of all time in a Channel 4 (UK) poll.
- Father of twins Anton and Olivia (b. 25 January 2001), with 'Beverly D'Angelo' (qv).
- Oscar-winning director 'John Schlesinger (I)' (qv) envisioned a cast of Pacino, 'Julie Christie (I)' (qv) and 'Laurence Olivier' (qv) for _Marathon Man (1976)_ (qv). Pacino has said that the only actress he had ever wanted to work with was Christie, who he claimed was "the most poetic of actresses." Producer 'Robert Evans (I)' (qv), who disparaged the vertically challenged Pacino as "The Midget" when 'Francis Ford Coppola' (qv) wanted him for _The Godfather (1972)_ (qv) and had thought of firing him during the early shooting of the now-classic film, vetoed Pacino for the lead. Instead, Evans insisted on the casting of the even shorter 'Dustin Hoffman' (qv)! On her part, Christie -- who was notoriously finicky about accepting parts, even in prestigious, sure-fire material -- turned down the female lead, which was then taken by 'Marthe Keller' (qv) (who, ironically, became Pacino's lover after co-starring with him in _Bobby Deerfield (1977)_ (qv)). Of his dream cast, Schlesinger only got Olivier, who was nominated for a Best Supporting Actor Oscar. Pacino has yet to co-star with Christie.
- 2001: Recipient of the 'Cecil B. DeMille' (qv) Award from the Hollywood Foreign Press Association for his "outstanding contribution to the entertainment field".
- Studied acting under his friend Charles Laughton.
- Is an avid fan of opera.