Nov. 17th, 1942
Queens, New York, USA
Martin Scorsese's Main TV Roles
Main Movie Roles
Guest TV Roles[none found]
After serious deliberations about entering the priesthood - he entered a seminary in 1956 - Martin Scorsese opted to channel his passions into film. He graduated from NYU as a film major in 1964. Catching the eye of producer Roger Corman with his 1960s student films (including co-editing Woodstock (1970)), Scorsese directed the gritty exploiter Boxcar Bertha (1972). Mean Streets (1973) followed in 1973 and provided the benchmarks for the Scorsese style: New York settings, loners struggling with inner demons, pointed-shoes rock-meets-opera soundtracks and unrelenting cathartic violence. "Mean Streets" also featured Robert De Niro and Harvey Keitel, two actors who would help shape that style. After Scorsese directed Ellen Burstyn to a Best Actress Oscar in Alice Doesn't Live Here Anymore (1974), the trio was reunited for the dark journey of Travis Bickle in Taxi Driver (1976). The film achieved additional notoriety five years after its release when Bickle's (De Niro) concern for a teenaged hooker played by Jodie Foster inspired John Hinckley (I)'s assassination attempt on President Ronald Reagan (I) in 1981. After New York, New York (1977) (which one critic described as a wife-abuse musical) and The Last Waltz (1978), Scorsese released Raging Bull (1980) dedicated to his mentor Haig Manoogian. The biography of middleweight fighter Jake LaMotta earned two Oscars (Actor - DeNiro, Editing - Thelma Schoonmaker) and was later selected as the best film of the decade by U.S. critic gods Gene Siskel and Roger Ebert. Scorsese then explored fans as pariah (The King of Comedy (1982)), dark-comic dreams (After Hours (1985)), and revisited pool shark Eddie Felson from The Hustler (1961) ( The Color of Money (1986) with Paul Newman (I)). Scorsese outraged some religious groups by attempting to portray a human son of God in The Last Temptation of Christ (1988) before returning to more familiar territory with the Mafia in Goodfellas (1990). He followed with two films which were remakes, Cape Fear (1991) and The Age of Innocence (1993). Besides directing and co-writing, Scorsese has also acted. It's interesting to note he played the gunman at the finale of Mean Streets (1973) and the cab passenger planning to kill his wife in Taxi Driver (1976). He also had a role in Dreams (1990).
- Was voted the 4th greatest director of all time by Entertainment Weekly, making him the only living person in the top 5 and the only working film director in the top 10 ('Ingmar Bergman' (qv) being retired as a filmmaker).
- Appeared in an "American Express" ad where he goes to pick up photos of his nephew's birthday party at a drug store, and then proceeds to nervously pick through what's wrong with each picture while trying to get the clueless photo-lab clerk's opinion on them. He proceeds to buy more film with an American Express card and calls the people on the pictures saying they need to reshoot. Scorsese says this funny ad is probably the closest he's come to accurately "playing" himself.
- _The Departed (2006)_ (qv) is the highest-grossing movie of his 40-year career ($132,373,442 (USA)).
- When asked where audiences would find the next 'Martin Scorsese' (qv), he said to look to 'Wes Anderson (I)' (qv), the young director of _Rushmore (1998)_ (qv).
- Served as a guest critic on _"Siskel & Ebert & the Movies" (1986)_ (qv) following the death of 'Gene Siskel'.
- Is of Italian-Sicilian descent.
- Has directed, as of 2008, 6 biopics: _Raging Bull (1980)_ (qv), _The Last Temptation of Christ (1988)_ (qv), _Goodfellas (1990)_ (qv), _Casino (1995)_ (qv), _Kundun (1997)_ (qv) and _The Aviator (2004)_ (qv).
- He was one of three major directors to have been offered the opportunity to direct _Schindler's List (1993)_ (qv) by producer 'Steven Spielberg' (qv), the other two being 'Roman Polanski' (qv) and 'Billy Wilder' (qv). Scorsese thought a Jewish filmmaker should direct it; Polanski wasn't yet ready to deal with the painful subject (having lost his mother in the Holocaust); and Wilder (who was retired and who lost his mother and grandmother in the Holocaust) finally told Spielberg that he should do it himself.