Oct. 22nd, 1917
Joan Fontaine's Main TV Roles
Main Movie Roles1961 - Voyage to the Bottom of the Sea
1957 - Island in the Sun
1956 - Beyond a Reasonable Doubt
1952 - Ivanhoe
1952 - The Tragedy of Othello: The Moor of Venice
1950 - Born to Be Bad
1948 - The Emperor Waltz
1948 - Letter from an Unknown Woman
1948 - Kiss the Blood Off My Hands
1948 - You Gotta Stay Happy
1947 - Ivy
1941 - Suspicion
1940 - Rebecca
1939 - The Women
1939 - Gunga Din
Guest TV Roles[none found]
Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement. Her father was a British patent attorney with a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname. She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle: The Natural History of a Woman (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942). The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones (I) in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed. Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994) (TV). She is, without a doubt, a lasting movie icon.
- Took her stage name from her step-father, George Fontaine.
- Ex-sister-in-law of 'Pierre Galante' (qv) and 'Marcus Goodrich' (qv).
- According to an in-depth article on Joan by Rod Labbe in "Classic Images" magazine, Joan was offered the role of Karen Holmes, the Army wife and adulteress, in 'James Jones (I)' (qv)' _From Here to Eternity (1953)_ (qv) by Columbia after it had purchased the film rights. Joan was subsequently forced to decline the role because, at the time, she was embroiled in a particularly ugly custody battle over daughter Deborah from 'William Dozier (I)' (qv). Leaving California to film extensively in Hawaii would have jeopardized Joan's case. The part went to second choice 'Deborah Kerr' (qv), who earned an Oscar nomination. Joan later replaced Ms. Kerr on Broadway in the original production of "Tea and Sympathy".
- Joked that the musical comedy _A Damsel in Distress (1937)_ (qv) set her career back four years. At the premiere, a woman sitting behind her loudly exclaimed, "Isn't she awful!" during Fontaine's onscreen attempt at dancing.
- Her personal favourite film of hers is _The Constant Nymph (1943)_ (qv).
- Head of jury at the Berlin International Film Festival in 1982
- In Italy, almost all of her films were dubbed by 'Lidia Simoneschi' (qv). She was occasionally dubbed by 'Rosetta Calavetta' (qv) and 'Renata Marini' (qv). She was dubbed once by 'Micaela Giustiniani' (qv) in _The Women (1939)_ (qv), once by 'Dina Perbellini' (qv) and once by 'Paola Barbara' (qv) in _Suspicion (1941)_ (qv).
- 'Howard Hughes (I)' (qv), who dated her sister 'Olivia de Havilland' (qv) for awhile, proposed to Joan many times.