Oct. 22nd, 1917
Joan Fontaine's Main TV Roles
Main Movie Roles1961 - Voyage to the Bottom of the Sea
1957 - Island in the Sun
1956 - Beyond a Reasonable Doubt
1952 - The Tragedy of Othello: The Moor of Venice
1952 - Ivanhoe
1950 - Born to Be Bad
1948 - The Emperor Waltz
1948 - Kiss the Blood Off My Hands
1948 - You Gotta Stay Happy
1948 - Letter from an Unknown Woman
1947 - Ivy
1941 - Suspicion
1940 - Rebecca
1939 - The Women
1939 - Gunga Din
Guest TV Roles
Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement. Her father was a British patent attorney with a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname. She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle: The Natural History of a Woman (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942). The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones (I) in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed. Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994) (TV). She is, without a doubt, a lasting movie icon.
- Head of jury at the Berlin International Film Festival in 1982
- Relations between Fontaine and her sister 'Olivia de Havilland' (qv) were never strong but worsened in 1941, when both were nominated for best actress Oscar. Their mutual dislike and jealousy escalated into an all-out feud after Fontaine won for _Suspicion (1941)_ (qv). Despite the fact de Havilland went on to win two Academy Awards of her own, they have remained permanently estranged.
- First husband 'Brian Aherne (I)' (qv) had a friend call her the night before their wedding to tell her he had cold feet and couldn't marry her. Joan told the friend to tell him it was too late to call it off, that he had better be at the altar the next morning to marry her, and he could divorce her afterwards if he wanted. He was there at the altar and they remained married six years, never mentioning this incident to each other.
- Joked that the musical comedy _A Damsel in Distress (1937)_ (qv) set her career back four years. At the premiere, a woman sitting behind her loudly exclaimed, "Isn't she awful!" during Fontaine's onscreen attempt at dancing.
- Her autobiography No Bed of Roses was published in 1979. Ex-husband 'William Dozier (I)' (qv) thought a more appropriate title should have been No Shred of Truth.
- Younger sister of actress 'Olivia de Havilland' (qv)
- Took her stage name from her step-father, George Fontaine.
- Daughter, Martita, born 3 November 1946, adopted 1952. Ran away in 1963. When Joan found her she was refused contact with the child on the premise that her Peruvian adoption was not valid in the United States. Martita maintained a relationship with her sister Debbie, but never spoke to or saw Joan again.