73 (passed away Oct. 13th, 1974)
Sep. 28th, 1901
New York City, New York, USA
5' 7 1/2"
Ed Sullivan's Main TV Roles
Main Movie Roles
Guest TV Roles[none found]
The beloved graven image of TV variety from 1948 to 1971 on CBS, Ed Sullivan originally made his name as a newspaper sportswriter, radio broadcaster and theater columnist for the New York Daily News. His column focused primarily on Broadway shows and juicy items about its stars. Hired in 1932 by the CBS network as a rival of radio commentator Walter Winchell, future radio stars introduced on Sullivan's program included Jack Benny. Sullivan made his film debut as himself in Mr. Broadway (1933), which he also wrote. His subsequent screenplay and story involvements included the screwy comedy There Goes My Heart (1938) and the Universal musical Ma, He's Making Eyes at Me (1940). So successful was he on radio that CBS hired him to do "Toast of the Town" (1948) just as TV sets were becoming a home staple. The show, which balanced amazing novelty acts with singing and comedy talents, both legendary and up-and-coming, was broadcast from CBS Studio 50 on Broadway in New York City. In 1967 the studio was aptly renamed the Ed Sullivan Theater. As of this writing, it is the home for David Letterman's late-night show. Although Sullivan himself had zilch stage or camera presence and had an unlikely habit of forgetting performers' names as he was about to present them, audiences were taken by his charming idiosyncrasies and mellow, almost funereal approach. He and the show became a resounding success. Moreover, Sullivan had a knack for identifying talent and his Sunday night variety platform became a springboard for a number of stars, including comics Dean Martin (I) & Jerry Lewis (I) and singers Elvis Presley and The Beatles. He also was color blind when it came to talent, generously promoting a number of black crossover acts, such as The Supremes and other Motown artists, when few other TV shows would. Sullivan appeared as himself in such films as Bye Bye Birdie (1963), The Patsy (1964) and The Singing Nun (1966), among others. The irrepressibly stiff, hunch-shouldered emcee was unmercifully parodied by a parade of impressionists over the decades, including Will Jordan (I), John Byner and David Frye (I). Sullivan died in his beloved New York of esophageal cancer in 1974, three years after the cancellation of his series.
- He has always been a very popular target for impressionists. He is also one of the few celebrities to have had impressionists (such as 'Jerome Patrick Hoban' and 'Nick Toth (I)' (qv)) who have made a career just out of impersonating him.
- In 1961, CBS asked him to fill in for an ailing 'Red Skelton' (qv) on _"The Red Skelton Show" (1951)_ (qv). Sullivan, like Skelton, was a very large man and was able to wear Skelton's costumes. Rather than simply being a host, Sullivan donned the costumes and makeup and successfully performed Skelton's characters in the written comedy sketches, including one character renamed "Freddie the Freeloader.".
- Appears on a 44¢ USA commemorative postage stamp, issued 11 August 2009, in the Early TV Memories issue honoring "The Ed Sullivan Show" (which began as _"Toast of the Town" (1948)_ (qv)).
- Reportedly columnist 'Harriet Van Horne' (qv) wrote of Sullivan, "He got where he is not by having a personality, but by having no personality; he is the commonest common denominator." Sullivan sent her a short note back reading: "Dear Miss Van Horne, You bitch. Sincerely, Ed Sullivan.".
- Interred at Ferncliff Cemetery, Hartsdale, New York, USA.
- Is portrayed by 'Will Jordan (I)' (qv) in _I Wanna Hold Your Hand (1978)_ (qv), _The Buddy Holly Story (1978)_ (qv) (voice), _The Doors (1991)_ (qv), _Mr. Saturday Night (1992)_ (qv) and _Down with Love (2003)_ (qv).
- Legit singer 'Roberta Peters' (qv) appeared on Sullivan's show more than anyone else - a record 67 times.
- Sullivan paid out of his own pocket for the funeral of dancer 'Bill Robinson (I)' (qv) ("Bojangles"), who died penniless. It was one of the many acts of quiet personal generosity for which Sullivan was known among his friends.